November 27, 2017
7:00 pm
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Carlos Martiel presents a new performance, “Continent”. This performance reflects on the way black bodies are sequestered, seized, and abducted; and the consequent plunder and despoil of the cultural and material wealth of the African Continent. This work is not reduced only to the history of the transatlantic slave trade. It is meant as a critique of the present situation of constant vulnerability and crisis in which African nations and others continue to be indiscriminately exploited by the postcolonial and neoliberal policies of the USA, European states, and other parts of the developed world.
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About the artist:
Carlos Martiel (born 1989, Havana) lives and works in New York and Havana. He graduated in 2009 from the National Academy of Fine Arts “San Alejandro” in Havana. Between the years 2008-2010, he studied in the Cátedra Arte de Conducta, directed by the artist Tania Bruguera. Martiel’s works have been included in: the 57th Venice Biennale, Venice, Italy; Casablanca Biennale, Morocco; Biennial “La Otra”, Bogotá, Colombia; Liverpool Biennial, United Kingdom; Pontevedra Biennial, Galicia, Spain; Havana Biennial, Cuba. He has had performances at Walker Art Center, Minneapolis, USA; The Museum of Fine Arts Houston (MFAH), Houston, USA; Museo de Arte Contemporáneo del Zulia (MACZUL), Maracaibo, Venezuela; Padiglione d’Arte Contemporanea, Milan, Italy; Robert Miller Gallery, New York, USA; and Nitsch Museum, Naples, Italy. He has received several awards, including the Franklin Furnace Fund, New York, USA, 2016; “CIFOS Grants & Commissions Program Award,” Miami, USA, 2014; and “Arte Laguna,” Venice, Italy, 2013. His work has been exhibited at The Museum of Latin American Art (MOLAA), Long Beach, USA; Zisa Zona Arti Contemporanee (ZAC), Palermo, Italy; Patricia and Phillip Frost Art Museum, Miami, USA; Benaki Museum, Athens, Greece; National Museum of Fine Arts, Havana, Cuba, and elsewhere.
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This work was made possible, in part, by the Franklin Furnace Fund supported by Jerome Foundation, the New York City Department of Cultural Affairs in partnership with the City Council; and with general operating support from the New York State Council on the Arts.
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(more info here)
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