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jun 062018
 

Celebrating eighty years of the life and work of Hermann Nitsch, Kunstverein Familie Montez presents an edition of New Generation Performance Artists as part of the Montez Performance Residency Programme 2018.

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Curated by Mirek Macke and Elizabeth Coleman-Link

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Kunstverein Familie Montez will present video/ photographic/ archive poster material from Hermann Nitsch’s performance and action art, spanning over 60 years.

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Montez Performance Residency:
is a programme of Residencies over a two week period, presenting Live performance, photographic/film documentation from diverse International artists, based in Germany/ Sweden/ UK/ Turkey/ Cuba, who will perform their Live works both indoor and outdoor, on a daily basis.
The Live performances will be documented by Frankfurt based film makers and photographers.

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Montez Performance Residency 2018
New Generation Performance Artists:
Carlos Martiel – Cuba
Knölkolletivet – Sweden
Mustafa Bogà – UK/Turkey
Cornelia Heier – Germany
Valentina – Germany

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(more info here)

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KVFM – Kunstverein Familie Montez | Honsellstraße 7, 60314 Frankfurt am Main, Germany

may 242018
 

may 242018
 

may 122018
 

Entrevista de Alí Majúl para Canal Cultura

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El artista cubano Carlos Martiel* conversó con Alí Majúl sobre el cuerpo y el performance, el deseo, el racismo estructural en el arte, la mierda que tenemos de mundo, el dolor, la descolonización en el arte, el ser un artista negro en un mundo de blancos, de migración, entre otros temas.

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¿Quién es Carlos Martiel?

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Respondiendo a esta pregunta se pudiera escribir un libro, porque el universo y las facetas que componen a cada ser humano son infinitas, y van de la luz a la sombra. Somos muchas existencias contenidas dentro de un mismo cuerpo. Somos unos con nuestros padres, otro con los amigos, otros con los amantes, y así sucesivamente con cada círculo que rodea nuestra vida. Resumiendo la cuestión, soy un artista, nacido en Cuba, descendiente de inmigrantes haitianos y jamaiquinos que emigraron a Holguín a mediados de 1920. Desde muy joven he estado interesado en cuestiones o problemáticas, relacionadas a mi cuerpo, sus libertades en un contexto como Cuba, los límites de lo permisible, la racialidad, entre otros tantos temas que han surgido con mi madurez. Todo esto me llevó a expresarme desde el performance como un medio de empoderamiento.

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Un artista comprometido con lo que considero la memoria de libertad, esa memoria ancestral que está metida en lo más profundo de mi ADN, y que ningún mecanismo de opresión puede suprimir.

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(más info aquí)

abr 252018
 
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Sharjah Biennial 14: Leaving the Echo Chamber (SB14), questions the possibilities and purpose of producing art when history is increasingly fictionalised, when ideas of “society” are invariably displaced, when borders and beliefs are under constant renegotiation, and our material culture is under the constant threat of human destruction and climate degradation.

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SB14 will feature exhibitions by curators Zoe Butt, Omar Kholeif and Claire Tancons, bringing together a range of experiences and works—including major commissions, large-scale public installations, performances, and films—to explore how contemporary life, enabled by rapid technological change, has created a seemingly inescapable “echo chamber” of information, complex personal networks, and shifting narratives that are physical, spiritual, and virtual.

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On view in SAF buildings and courtyards across the city’s arts and heritage areas, as well as other spaces in Sharjah, Leaving the Echo Chamber will explore subjects ranging from migration and diaspora, to concepts of time and interpreted histories, in relation to today’s continuous loop of mediated information. Invited to respond to the overarching issues and concerns of Leaving the Echo Chamber, the curators will present three distinct exhibitions, for which they have invited a selection of artists from around the world, as well as from the UAE and the surrounding region, to participate.

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An initial selection of participating artists in each of the three exhibitions follows below with the complete lineup to be announced in the coming months:

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Look for Me All Around You, curated by Claire Tancons

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Look for Me All Around You questions if obscurity is the harbinger of futurity, darkness the site of seeing, and blackness the scene of unmasking. In Look for Me All Around You, what is being “looked for” is not what is being “looked at”—if only it could be seen. Standing witness to the imperilment of the contemporary in the atomised space between “me” and “you,” Look for Me All Around You seeks to eschew the sole realm of the retinal embedded within hegemonic structures of looking, learning, and feeling. It strives instead, through mechanisms of repossession of perception, to reflect and deflect encroaching conditions of dispossession and diasporisation.

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Look for Me All Around You will include works by Caline Aoun, Aline Baiana, Nikolaus Gansterer, Eisa Jocson, Isabel Lewis, Ulrik López, Carlos Martiel and Wu Tsang.

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(more info here)

abr 242018
 

abr 232018
 
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Entre los meses de agosto y octubre de 2017, la Bienal de Cuenca receptó 130 portafolios de artistas ecuatorianos que fueron remitidos al curador de la XIV edición, Jesús Fuenmayor. El comisario venezolano preseleccionó 20 carpetas de artistas nacionales cuyos talleres visitó en Cuenca, Guayaquil y Quito. Tras ese ciclo de visitas, Fuenmayor eligió trece nombres que se suman a los cuarenta artistas internacionales invitados directamente por el curador. Aunque la totalidad contabiliza 53 invitados en tanto hay varios artistas que trabajan en pareja o forman parte de un colectivo, serán 45 los proyectos u obras a presentarse dentro de la muestra oficial, 26 de los cuales son obras comisionadas expresamente para la ocasión. Esto y otros detalles vinculados al evento se darán a conocer este jueves en la rueda de prensa programada por la institución.

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Adicionalmente, será la ocasión en que la Bienal presente la imagen oficial de la XIV edición, desarrollada por el equipo de diseño y comunicación de la Bienal. Esta propuesta visual aspira reflejar el concepto de “Estructuras vivientes. El arte como experiencia plural” propuesto por Fuenmayor para el evento.

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En el acto estará presente el Alcalde de la ciudad, Marcelo Cabrera Palacios; la representante en Cuenca del Ministerio de Cultura, Tamara Landívar; el Curador General, Jesús Fuenmayor; el Curador Pedagógico, Félix Suazo; el Director Ejecutivo de la entidad, Cristóbal Zapata y varios artistas locales e intencionales que son parte de los invitados a la muestra oficial.

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ARTISTAS INTERNACIONALES INVITADOS A LA MUESTRA OFICIAL DE LA XIV BIENAL

1 Rey Akdogan (Alemania-USA)
2 Lara Almárcegui (España- Holanda)
3 Carla Arocha (Venezuela- Bélgica) y Stéphane Schraenen (Bélgica)
4 Diego Barboza (1945-2003, Venezuela)
5 Lothar Baumgarten (Alemania)
6 Erick Beltrán (México-España)
7 Julien Bismuth (Francia-USA)
8 Jessica Briceño (Chile)
9 Nina Canell y Robin Watkins (Suecia)
10 Leyla Cárdenas (Colombia)
11 Yaima Carrazana (Cuba-Holanda)
12 Benvenuto Chavajay (Guatemala)
13 Lygia Clark – Eduardo Clark (Brasil)
14 Patricia Dauder (España)
15 Jorge Eielson (1924-2006, Perú)
16 José Gabriel Fernández (Venezuela-USA)
17 Finishing School (Nadia Afghani, Matt Fisher, Ed Giardina, Jason Plapp, Jean Robison) (USA)
18 Dara Friedman (USA)
19 Pablo Helguera (México-USA)
20 Ana Guedes (Portugal)
21 Fritzia Irizar (México)
22 Birger Lipinski (Suecia) y Laercio Redondo (Brasil)
23 Cecilia López (Argentina)
24 Carlos Martiel (Cuba-USA)
25 Ana Mazzei (Brasil)
26 Felipe Meres (Brasil-USA)
27 Oscar Abraham Pabón (Venezuela- Holanda)
28 Ishmael Randall-Weeks (Perú-USA)
29 Jimmy Robert (Francia-Rumania)
30 Matheus Rocha Pitta (Brasil)
31 Sergio Vega (Argentina-USA)
32 Franz Erhard Walther (Alemania)

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ARTISTAS ECUATORIANOS DE LA XIV BIENAL

1 Adrián Balseca (Quito)
2 Pablo Barriga (Quito)
3 Ilich Castillo (Guayaquil)
4 Pamela Cevallos (Quito)
5 Gabriela Chérrez (Guayaquil)
6 Jenny Jaramillo (Quito)
7 José Luis Macas (Quito)
8 María José Machado (Cuenca)
9 David Orbea (Guayaquil)
10 Estefanía Peñafiel (Quito-París)
11 Santiago Reyes (Quito- París)
12 Manuela Ribadeneira (Quito-Londres)
13 Juliana Vidal (Cuenca)

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(mas info aquí)

abr 172018
 

Reception: Thursday, May 31, 6-8 pm
June 1 – September 23, 2018

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Relational Undercurrents is the first major survey of twenty-first century art of the Caribbean. It employs the archipelago as an analytical framework, focusing on locating thematic continuities in the art of the Caribbean islands, placing Hispanophone artists in visual conversation with those from Anglophone, Francophone, Dutch, and Danish backgrounds.

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Relational Undercurrents works against traditional understandings of the Caribbean as discontinuous, isolated, and beyond comprehension as a result of heterogeneous populations, multiple linguistic traditions, and diverse colonial histories. Instead, Relational Undercurrents is divided into four sections: Conceptual Mappings, Perpetual Horizons, Landscape Ecologies and Representational Acts. Each grouping features artists whose works have informed and shaped those themes. Relational Undercurrents includes painting, installation art, sculpture, photography, video, and performance.

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It is accompanied by a lavishly illustrated catalogue with essays by curators, critics, and scholars that discuss particular artistic traditions in Cuban, Puerto Rican, Dominican, and Haitian art, and theorize the broader decolonial and archipelagic conceptual frameworks within which such works are produced. The catalogue is coedited by Flores and Michelle Ann Stephens, Professor of English and Latino and Caribbean Studies at Rutgers University, New Brunswick. Stephens is coeditor of Archipelagic American Studies, also published by Duke University Press.

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(more info here)

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Wallach Art Gallery | 615 W 129th St, New York, NY 10027

abr 122018
 

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Supermarket – Stockholm Independent Art Fair
with Kunstverein Familie Montez

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12–15 April, 2018
Thursday–Saturday 11–20, Sunday 11–18

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(more info here)

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Supermarket – SIAF | Slaughterhouse 5, Fållan 10, Slakthusområdet (Metro Globen), Stockholm.