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Feb 052024
 

Friday, Feb 9
6-8 pm

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A showcase of films by artists from Brazil, Cuba, Barbados, and Jamaica assembled together not as an answer to the question raised by the book, Where is Africa, but with the understanding that the title and content of the book open up even more paths and questions. These paths might lead us to the poetic dimension that resides in the existence of Black bodies and lives. To the dynamics of the presence of life, intelligence, and multiple forms of collective maintenance. To affective networks, to link and unlinkings.

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Artists: Rafael RG, Alberta Whittle, Tiago Sant’Ana, Carlos Martiel, Gê Viana and lagor Peres, Simon Benjamin, Ayrson Heráclito and Lula Buarque de Hollanda.

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(more info here)

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Center for Art, Research and Alliances (CARA) | 225 W 13th St, New York, NY 10011.

Sep 022022
 

By Clara Maria Apostolatos for The Latinx Project

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To visual artist Carlos Martiel, recording performance art is much like creating an archive.

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“I consider my performance art like an archive in itself, in terms of its documentation. The photographic and video documentation becomes registered like an archive of the times I am living through, as well as an archive of the problems of the times I have had to live.”¹

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In drawing out the relationship between archival and performance practices, Martiel invites us to consider how performances become transferred into tangible records of the artist’s creative practice as well as their political moment. And while Martiel here speaks of archiving performances, his close friend and visual artist Camilo Godoy is more interested in performing archives and the information disclosed in them.

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“We can create new histories through performance, especially when considering the violence of history. There are so many events that have not been documented by photographs or video but live from accounts of oral histories—of people talking and describing what they experienced. To me, performance is a device that allows us to examine something that is never seen but maybe read about or heard from.”²

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Together, the work of artists Camilo Godoy and Carlos Martiel capture the immediacy of generating and reanimating collective memory. Evoking the interrogative forms of the counter-archive, Godoy and Martiel question and disrupt conventional narratives of the historically disenfranchised, among them the Latinx and queer community. Rather than present objective or official views of history, the artists draw upon personal memory and cultural heritage to offer subjective and contingent reports of history. The artists enact critical interrogations and revivals of past narratives through aesthetic strategies I heuristically describe here as affective touch and corporeality.

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(more info here)

Jun 032022
 

Du 29.05.2022 au 17.07.2022

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Trilogie de cendres est une exposition pensée en trois temps à partir de la collection du FRAC Pays de la Loire.

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L’exposition regroupe 63 artistes, 89 œuvres dont 74 de la collection du Frac et 10 artistes invité·es. Elle propose une réflexion à entrées multiples sur ce qui fait foyer à travers les notions d’identité, de langage et de mémoire se rapportant aux individus comme aux dynamiques collectives. Conçue par Marion Duquerroy et Thomas Fort, et accompagnée par les étudiant•es de la licence Histoire de l’art de l’UCO d’Angers, elle est complétée par un programme de rencontres et de performances.

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Ce deuxième volet s’intéresse aux questions sociales et politiques (cartes et géographie, genres et marges, clichés et stéréotypes). Les identités et communautés se manifestent (Soufiane Ababri, Georges Tony Stoll ou Andy Warhol), et l’Histoire s’embrase à travers l’impact persistant des régimes coloniaux (Carlos Martiel, Kara Walker ou Truong Cong Tung).

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Artist:
Soufiane Ababri, Francis Alÿs, Leonor Antunes, Babi Badalov, Becky Beasley, Richard Billingham, Karla Black, Peter Briggs, Damien Cadio, Miriam Cahn, Marc Camille Chaimowicz, Béatrice Dacher, Richard Deacon, Jeremy Deller, Rineke Dijkstra, Thea Djordjadze, Jason Dodge, Hubert Duprat, Léuli Eshrāghi, Patrick Faigenbaum, Herlyng Ferla, Bernard Frize, Leah Gordon, Mona Hatoum, Noritochi Hirakawa, Edi Hila, Rebecca Horn, Ann Veronica Janssens, Sarah Jones, Hiwa K, Johannes Kahrs, Melike Kara, Koo Jeong A, Jiri Kovanda, Maria Lassnig, Marie Lund & Nina Beier, Teresa Margolles, Carlos Martiel, Josephine Meckseper, Thao Nguyễn Phan, Damir Očko, Gabriel Orozco, Bill Owens, gina pane, Eric Poitevin, Richard Prince, Vandy Rattana, Jimmy Robert, Khvay Samnang, Chris Shaw, Lucy Skaer, Michael E. Smith, Georges Tony Stoll, Stéphane Tidet, Thu-Van Tran, Truong Cong Tung, Luc Tuymans, Kara Walker, Andy Warhol, Boyd Webb.

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(more info here)

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Frac des Pays de la Loire | 24 bis Boulevard Ampère, 44470, Carquefou.

Apr 112022
 

Oct 202021
 
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The godmother of performance art guest-edits the Document section of our new issue, devoting its pages to the performance artists of the future – all of whom have learnt from her processes and drawn from her legacy.

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Performance artist Carlos Martiel uses his body to address the lived experience of the Black male body. Born in Cuba, where he graduated from the San Alejandro National Academy of Fine Arts, he now splits his time between New York and Havana. Here, he chose to have the following interview, first published in Hypermedia magazine, translated into English. His interviewer is the Cuban-American artist, writer and curator Coco Fusco, who has also used her body to confront racial representation and colonial legacies. Together, the artists talk about the origins of Martiel’s family, his interest in blood as an expressive material, and his sculptural focus in performance.

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(more info here)

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Another Magazine

Oct 142021
 

14 – 17 October, 2021 | booth S9

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Bubble’n’Squeak presents Isabelle D, Carlos Martiel, Themba Khumalo.

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(more info here)

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Somerset House | Strand, London WC2R 1LA, UK.

Jul 132021
 

By Siddhartha Mitter

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Two major foundations have joined forces to make unrestricted cash grants to artists of Latin American or Caribbean descent born or living in the United States.

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The venture, the Latinx Artist Fellowships, is backed by the Andrew W. Mellon Foundation and the Ford Foundation, and aims to redress imbalances in national funding patterns while highlighting the range of these artists’ work and its cultural contribution.

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The first 15 fellows, announced Monday, will each receive $50,000. Over five years, 75 artists will receive $3.75 million, with further support planned for museums and academic projects.

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The fellows include artists at different stages in their career, from the 84-year-old Celia Álvarez Muñoz to established figures like Coco Fusco and Elia Alba, midcareer artists like Carolina Caycedo and rafa esparza, and younger artists like Carlos Martiel.

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(more info here)

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The New York Times

Mar 032021
 

I AM: NEW AFRO-LATINX NARRATIVES
February 24th – April 24th, 2021

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Curated by Chief Curator Gabriela Urtiaga

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Hand-in-hand with renowned artists, today we celebrate and honor African heritage and its influence in Latin American countries and the rich culture that resulted from that union.

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Through a selection of artworks and artistic perspectives that have a poetic and political narrative at the same time, we present an open conversation through art, around important themes like race, power, and heritage, revisiting the fight for identity in communities of African descent.

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This transnationalism in the Americas has been silenced for centuries and has been violently interrupted by a System of Power that excludes the Other.

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From a perspective of diversity, a journey through history, and an endless experience marked in bodies by stories and experiences, we research the representation and questions generated through an artistic practice committed to its past, present, and future.

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Together with artists like Victoria Santa Cruz (Peru, 1922-2014), Alexandre Arrechea (Cuba, 1970), Patricia Encarnación (Dominican Republic, 1991), Carlos Martiel (Cuba, 1989), and Liliana Angulo Cortés (Colombia, 1974) we immerse ourselves in individual stories as well as from a collective experience, with clear social, political, and cultural references that explore in depth the struggles, suffering, and hope for a better present and future.

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(more info here)

Jun 052020
 

Jun 012020
 
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Beginning this fall with the commencement of our 14th season, Lux will unify our exhibitions and programing under a seasonal campus wide theme. Each of our Artists-in-Residence and Regional Artists will be exploring their own unique ideas, concepts, and processes within the designated theme. This will allow Lux and the community to dive into the relevant issues while considering them from a variety of perspectives, and hear from a diversity of voices.

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Our upcoming season, titled A New Territory, explores issues of Migration.

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A New Territory explores the structure that exists around the movement of bodies; be it human, animal, or plant. Some questions we will be considering this season are: What happens to the construction of identity in cross-cultural territories? What does Othering mean to the construction of identity? How do physical and non-physical borderlines influence the movement of people, flora, and fauna? What social-political-economic systems influence the lived experiences of migrating people?

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Season 14 Artists-in-Residence:
Cosmo Whyte, Carlos Martiel, Beatriz Cortez, Baseera Khan, Guillermo Galindo.

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(more info here)

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Lux Art Institute | 1550 S El Camino Real, Encinitas, CA 92024