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Oct 242016
 

Noviembre 30, 2016 – Marzo 12, 2017

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Curaduria por: Eugenio Valdés Figueroa & Katrin Steffen

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La exposición Toda percepción es una interpretación: You are part of it, es una mirada en retrospectiva desde problemáticas contemporáneas del arte, de la cultura, de la política y la economía. Pretende reflexionar sobre las sucesivas reconfiguraciones del mapa del arte en las últimas décadas, sobre los dislocamientos y reubicaciones de sus escenas de acción, de Paris a New York, de Venecia a Sao Paulo, de Basel a Miami. Habla acerca de zonas que han conseguido alternar impulsos centrípetos o centrífugos, donde el arte ha relocalizado sus puntos de encuentro y sus puntos de observación. Prestamos atención también a los efectos de reformulaciones del mapa financiero o político, con una repercusión para los modos de hacer y de proceder en el arte.

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Lista de artistas en la exposición:

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Asins, Elena (España) | Barry, Robert (E.E.U.U) | Bruscky, Paulo (Brasil) | Büchler, Pavel (Reino Unido) | Caldas, Waltércio (Brasil) | Camnitzer, Luis (Uruguay) | Cuenca, Arturo (Cuba) | Darie, Sandu (Romania, Cuba) | Dias, Antonio (Brasil) | Do Espirito Santo, Iran (Brasil) | Downey, Juan (Chile, E.E.U.U) | Elso, Juan Francisco (Cuba) | Espinoza, Eugenio (Venezuela) | Ferrari, Leon (Argentina) | Galan, Marcius (Brasil) | Garciandia, Flavio (Cuba) | Hernandez-Diez, Jose Antonio (Venezuela) | Ibarra, Karlo Andrei (Puerto Rico) | Kosuth, Joseph (E.E.U.U) | Kruger, Barbara (E.E.U.U) | Lamelas, David (Argentina) | Lauand, Judith (Brasil) | Leon, Glenda (Cuba) | Leppe, Carlos (Chile) | Manuel, Antonio (Brasil) | Maiolino, Anna Maria (Brasil) | Martiel, Carlos (Cuba) | Meireles, Cildo (Brasil) | Minujín, Marta (Argentina) | Monge, Priscilla (Costa Rica) | Oiticica, Hélio (Brasil) | Pape, Lygia (Brasil) | Pistoletto, Michelangelo (Italia) | Porter, Liliana (Argentina) | Rodriguez Cardenas, Carlos (Cuba) | Saavedra Gonzalez, Lazaro A. (Cuba) | Schendel, Mira (Brasil) | Walther, Franz Erhard (Alemania) | Zabala, Horacio (Argentina).

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(más info aquí)

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CIFO Art Space | 1018 N Miami Ave, Miami, FL 33136

Oct 042016
 

Thursday, October 27, 2016
6 to 8pm

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Following Martiel’s performance Maze, Clifford Owens and Carlos Martiel will discuss their performance-based artistic practices, connecting racial histories in the United States and Cuba, respectively. The conversation will center on artworks featured in the exhibition: Owens’ Anthology (2011), with scores provided by Maren Hassinger and William Pope.L, and Martiel’s Ruins and Expulsion (both 2015).

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(more info here)

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The 8th Floor | 17 W 17th St, New York, NY 10011

Oct 042016
 

Wednesday, October 19, 2016
6 to 8pm

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Carlos Martiel’s new performance Maze reflects on the current system of mass incarceration and racial discrimination in the United States, where a disproportionate number of the imprisoned are African Americans and Latino immigrants. Focusing on forced labor within the prison system, and the threat of loss of privileges and solitary confinement for prisoners who refuse to work, Martiel takes a position of stillness and draws parallels between current prison policies and conditions in the US and historical systems of oppression in European history.

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(more info here)

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The 8th Floor | 17 W 17th St, New York, NY 10011

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Sep 232016
 

Palermo 7 ottobre – 18 dicembre 2016 ǀ ZAC Zia Arti Contemporane
a cura di Diego Sileo e Giacomo Zaza

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CUBA. Tatuare la storia, aprirà al pubblico venerdì 7 ottobre negli spazi espositivi di ZAC Zisa Arti Contemporanee di Palermo, promossa dall’Assessorato alla Cultura del Comune di Palermo in coproduzione con il PAC Padiglione d’Arte Contemporanea di Milano. Questa è la seconda tappa della collaborazione tra le due istituzioni dopo la personale della performer guatemalteca Regina José Galindo nel 2015.

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L’esposizione è curata da Diego Sileo e Giacomo Zaza e organizzata da ruber.contemporanea – coordinamento progettuale di Antonio Leone e Giulia Ingarao, allestimento a cura di Giuseppe Pulvirenti – in collaborazione con l’accademia di belle arti di Palermo/dipartimento di comunicazione e didattica dell’arte.

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La mostra, che traccia una linea guida sull’arte cubana, dentro e fuori dell’isola, vede la partecipazione di 31 artisti cubani tra i più noti e influenti nel panorama artistico internazionale, attivi dalla fine degli anni Settanta in poi, più della metà dei quali oggi vive e lavora a L’Avana: Juan Carlos Alom, Tania Bruguera, María Magdalena Campos-Pons, Javier Castro, Celia-Yunior, Susana Pilar Delahante Matienzo, Ángel Delgado, Humberto Díaz, Carlos Garaicoa, Luis Gárciga, Luis Gómez Armenteros, Antonio Gómez Margolles, Félix González-Torres, Ricardo Miguel Hernández, Kcho, Tony Labat, Ernesto Leal, Reynier Leyva Novo, Los Carpinteros, Meira Marrero & José Toirac, Carlos Martiel, Ana Mendieta, Reinier Nande, Glexis Novoa, Marta María Pérez Bravo, Eduardo Ponjuán, Wilfredo Prieto, Grethell Rasúa, René Francisco Rodriguez, Lázaro Saavedra, Tonel.

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(maggiori informazioni qui)

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ZAC – Zisa Zona Arti Contemporanee | Via Paolo Gili, 4, 90138 Palermo, Italy

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Sep 222016
 

swab
SWAB ART FAIR
Dal 29 settembre al 2 ottobre, Barcellona.

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La Galleria Rossmut è lieta di invitarla a Swab Art Fair 2016 dove parteciperà con un Solo Show dell’artista Carlos Martiel.

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(maggiori informazioni qui)

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Prats de Mollo 7 bajos, 08021 Barcelona. Spain

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Sep 162016
 
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Amanda Alfieri (Queens, NY)*
Doreen Garner (Brooklyn, NY)*
Dietmar Krumrey and Kyle William Butler (Clare, MI)
Nadja Verena Marcin (Brooklyn, NY)*
Carlos Martiel (Brooklyn, NY)*
Wanda Raimundi-Ortiz (Winter Park, FL)
Ari Tabei (Brooklyn, NY)*
Whoop Dee Doo – Jaimie Warren (Brooklyn, NY)*

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*Artists supported by Jerome Foundation. Jerome Foundation support of the Franklin Furnace Fund is restricted to artists living in the five boroughs of New York City or the state of Minnesota.

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(more info here)

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Aug 122016
 

October 22, 2016 – February 12, 2017

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Miami is a city synonymous with body transformation. Our city is famous for morphing and embellishing the human body through surgery, piercings, tattoos, and other forms of modification. However, many forms of body modification used today are not unique to Miami or youth cultural. Piercings, body markings, and other forms of modification have been practiced across cultures for millennia. In addition, artists today are experimenting with modification to reflect and convey ideas related to justice, identity, environment, and gender.

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Pierce, Mark, Morph explores the piercings, markings and cranial modification in Pre-Columbian sculpture drawn from the Jay I. Kislak Foundation Collection in light of work by contemporary artists who are utilizing the body as canvas. While the methods may be similar physically, the intent and concepts behind modifying the human body differ greatly.

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Exhibiting artists include Lauren Kalman, Carlos Martiel, Hiromi Moneyhun, Tatiana Parcero, Cecilia Paredes.

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(more info here)

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Frost Art Museum | 10975 SW 17th Street, Miami, FL 33199

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Aug 122016
 

September 21, 2016 – January 13, 2017

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Curated by Sara Reisman

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Artists: John Ahearn, Rehan Ansari, Nicolás Dumit Estévez, Brendan Fernandes, Alicia Grullon, Yoko Inoue, Joan Jonas, Claudia Joskowicz, Kirsten Justesen, Kimsooja, Carlos Martiel, Bruce Nauman, Clifford Owens, Kameelah Janan Rasheed, Emily Roysdon, and Roman Štětina.

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Enacting Stillness is an exhibition that considers the political potential of slowing down and stopping as forms of resistance, protest, and refusal. An international group of artists in the exhibition engage in practices that challenge and upend our expectations for the continuity of performative compositions, lines of movement, and thought. Working with the disciplines of choreography, theater, moving image, sculpture and performance, the exhibition presents a multivalent reflection on political histories from the Americas to Europe and Asia, with projects that employ a range of gestures and time-based practices to question what unexpected ruptures like meditation, contemplation, rest, and the reversing of movement and time might mean to both the artist and the viewer. The exhibition will be on view September 21, 2016 to January 13, 2017 at The 8th Floor, the exhibition and programming space for The Shelley & Donald Rubin Foundation, located at 17 West 17th Street, New York City.

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(more info here)

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The 8th Floor | 17 W 17th St, New York, NY 10011

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Aug 122016
 

poster-la11

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LIVE ACTION 11
September 6-10, 2016

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Carlos Martiel is an emergent artist but has already realized an impressive œuvre, like Asentamiento which covers this editions poster of Live Action. Socially engaged with a direct yet conceptual stance, his work is usually very simple in its appearance. Carrying with it a subject matter and an execution that fuses into pure poetry. It is difficult not to be convinced by his imagery which to a high degree is not only innovative and compelling but consistent. Martiel’s creative palette is vast, with a choice of objects and materials that is never repeated and goes beyond tradition and praxis. If we can state that his work stands out today in performance art, it is because of a fusion of a conceptually profound and aesthetic imagery, executed with an apparent simplicity. A simplicity that we know is very difficult to achieve. His compelling images never stops to astound, and we can only wait and see what he will do for Live Action.

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(more info here)

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Live Action 11 | Gothenburg, Sweden

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Aug 042016
 

August 10-14, 2016
Booth 13

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Y Gallery Presents Alejandro Almanza Pereda, Alberto Borea, Juanli Carrión, C.J. Chueca, Andrés Durán, Reynaldo Luza, Carlos Martiel, Dulce Pinzón, Andrea Galvani, and Carolina Saquel.

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(more info here)

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Centro de la imagen | Av. 28 de Julio 815, Miraflores. Lima, Perú

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