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Sep 272015
 

CMartiel1015

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Shaw Michael , “Carlos Martiel Exhibition”, ArtScene , October 2015. Pp25

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Sep 252015
 

Empire flyer (1)

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Upcoming performance
Carlos Martiel: EMPIRE
September 26, 4-5

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(more info here)

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STEVE TURNER| 6830 Santa Monica Blvd. Los Angeles CA 90038

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Sep 112015
 

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Simiente, Installation view, Nanjing International Exhibition Center, September 2015

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“A Beautiful New World”
16-26 September 2015
Opening: 16th, September h.15:00

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Curator: Eleonora Battiston

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Artists: Nobuyoshi Araki, Fernando Bayona, Alessandro Brighetti, Norbert Bisky, Olga Chernysheva, Braco Dimitrijevic, Jan Fabre, Regina José Galindo, Lyra Garcellano, Debbie Han, Candida Höfer, Phill Hopkins, Glenda León, Carlos Martiel, Luis Moscardó, Erwin Olaf, Hans Op de Beeck, Joao Vasco Paiva, Liliana Porter, Eddi Prabandono, Raul (Marco Lullo), Deva Sand, Tejal Shah, Richard Streitmatter-Tran, Wire Tuazon, Keke Vilabelda, Jason Bard Yarmosky.

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(more info here)

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Nanjing International Exhibition Center | 88 Longpan Road, Xuanwu District, Nanjing, Jiangsu, China.

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Aug 292015
 

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Aislado, Installation view, Steve Turner, September 2015

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AISLADO

Carlos Martiel

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September 12 – October 8
Opening reception: September 12, 7-9

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Live performances by Carlos Martiel:
Ciudad: September 12, 7:30-8:30
Empire: September 26, 4-5

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Steve Turner is pleased to present Aislado, featuring video, photographs and performances by Carlos Martiel (b. 1989, Havana). Martiel use his body and earthy substances such as water, soil and stone to explore issues of race, isolation and injustice.

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(more info here)

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STEVE TURNER | 6830 Santa Monica Blvd. Los Angeles CA.

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Aug 132015
 

Performance produced as part of the BHQFU 2015 Artists-in-Residence.

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August 22, 2015, 6:00 p.m.

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BHQFU | 431 E 6TH BSMT, NYC, 10009.

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Jun 172015
 

3521.1280
4th Performance Festival Thessaloniki
29.06 – 09.07.2015

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11 performances from Greek and international artists, two tributes and exhibitions, video performances, workshop, one-day conference and an opening concert.

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Curator – Coordinator: Eirini Papakonstantinou
Art Historian-Curator of the State Museum of Contemporary Art

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Artists / Participations: George Grocer (workshop, GR), Márcio Carvalho (PT), Harry Elektron & Rosita (concert, GR), Victoria Gray (UK), Leda Papaconstantinou (tribute-GR), Jonas Kocher – Daphne Stephen – Janosch Perler – Ruedy Schwyn (CH / GR), Mischa Kuball (DE), Carlos Martiel (CU), Menti Mega (GR), Rhiannon Morgan (GR / UK), Surabhi Saraf (IN / USA), SUKA OFF (PL), Ulay (Tribute & performance, DE), Cyprus International Performance Art Festival (CY), Videoplay (AR)

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(more info here)

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Jun 072015
 

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(more info here)

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Museo de Arte Contemporáneo Argentino [MACA]
Buenos Aires, Argentina.

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Jun 022015
 
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Friday, June 5th.

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For the third installment of Sweety’s Radio, a monthly live-recorded podcast with artist Carlos Martiel. With Sweety’s members Eduardo Restrepo and Bryan Rodriguez as hosts.

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“My work emerged as a search for my identity within a social fabric that was unraveling. It was a coming to awareness in a context in which things didn’t function properly, where social groups are stigmatized due to their historical and class legacies. My work was born from the discomfort of having to assume and haul along a condition that didn’t correspond to me. My work originated as a disagreement with the established.”

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Samson Projects
450 Harrison Ave, Boston. 02118

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(more info here)
logo sweetys

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Jun 022015
 
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2015 Summer Residency
from June 1st to August 31st.

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34 Avenue A 3rd Fl.
NYC 10009
Btw 2nd & 3rd St.

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(more info here)

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May 092015
 

Por Andrés Isaac Santana
Especial/el Nuevo Herald

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Desde que en el 2013 recibiera el Premio Arte Laguna de Performance en Venecia, a propósito de su obra Prodigal Son, 2010, el discurso estético del joven artista cubano Carlos Martiel (La Habana, 1989), se ha instalado en los principales circuitos del arte internacional asistido por fuertes resortes de legitimación y de prestigio. Su próxima intervención, que tendrá lugar en Mandragoras Art Space, en la ciudad de Nueva York y bajo el título Ascensión, se inscribe dentro de esa línea de insubordinaciones y desobediencias desenfrenadas tan propias a su proyecto. Se trata de una puesta en escena francamente escalofriante, respaldada por una altísima cuota de extrañamiento y dolor. El cuerpo se traviste en soporte discursivo de un cuestionamiento ético y humanista acerca de dónde residen los límites (presumibles) entre dos sujetos antagónicos y cercanos a un tiempo: el héroe y el asesino.

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(more info here)

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EL+NUEVO+HERALD

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