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Nov 232017
 
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The Pacific Standard Time Festival: Live Art LA/LA is an international celebration of art and performance throughout greater Los Angeles, with more than 200 Latin American and Latino artists and performers creating adventurous events at more than 20 indoor and outdoor locations. Organized by REDCAT with a consortium of organizations and independent artists, the festival connects artists from more than a dozen countries with neighborhoods city-wide, through vital performances in parks, plazas, galleries, theaters and busy urban settings. The festival is part of the Getty-led Pacific Standard Time: LA/LA initiative and is supported by a major grant from the Getty Foundation.

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(more info here)

Aug 172017
 

PERFORMANCE “LAMENTO KAYAPÓ” + CONVERSA COM ARTISTAS EM RESIDÊNCIA

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Terça, 22.08.2017
Arte e Ativismo na América Latina – ano II (2017)

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Dando sequência às ações e atividades do ARTE E ATIVISMO NA AMÉRICA LATINA, um projeto da Despina realizado em parceria com a organização holandesa Prince Claus Fund, convidamos todxs para uma conversa com os artistas em residência selecionados para a edição deste ano – Carlos Martiel, Cristiano Lenhardt e Mariela Scafati. Antes da conversa, será apresentada pela primeira vez ao público a performance “Lamento Kayapó”, concebida pelo artista cubano Carlos Martiel.

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Sobre “Lamento Kayapó”

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Esta performance, que é parte do processo de pesquisa de residência do artista cubano Carlos Martiel na Despina -, procura refletir sobre a violência a que têm sido historicamente submetidas as populações indígenas no Brasil. Também lança luz a respeito das formas de resistência praticadas por essas mesmas populações – especialmente os Kayapós – para preservar seus costumes, demarcar seu território e para combater pacificamente as ameaças dos ruralistas e das indústrias mineradora e madeireira.

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(more info here)

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Despina | R. Luís de Camões, 2 – Centro, Rio de Janeiro – RJ, 20051-020, Brasil

Aug 152017
 

WAKE Festival is a three day festival of contemporary time-based/performance art in Folkestone (Kent), UK.

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The festival consists of site specific, durational works which unfold in and around Folkestone, across the 8th, 9th & 10th of September. In addition to the site based works, each evening (7pm-10pm) a more condense series of performances take place at Performance Space.

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(more info here)

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Performance Space | 64 Tontine Street, Folkestone, CT20 1JP

Mar 132017
 

Exhibiton of The Cuban Pavillon at 57th Biennale di Venezia
May 12 – November 26, 2017
Opening 6:30 pm

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Curator José Manuel Noceda

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Artists: Abel Barroso, Iván Capote, Roberto Diago, Roberto Fabelo, José Manuel Fors, Aimée García, Reynier Leyva Novo, Meira Marrero & José Ángel Toirac, Carlos Martiel, René Peña, Mabel Poblet, Wilfredo Prieto, Esterio Segura, José Eduardo Yaque.

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(more info here)

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Palazzo Loredan | Campo S. Stefano 2945, Venice, Italy

Sep 222016
 

swab
SWAB ART FAIR
Dal 29 settembre al 2 ottobre, Barcellona.

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La Galleria Rossmut è lieta di invitarla a Swab Art Fair 2016 dove parteciperà con un Solo Show dell’artista Carlos Martiel.

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(maggiori informazioni qui)

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Prats de Mollo 7 bajos, 08021 Barcelona. Spain

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Jun 112016
 

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SCOPE ART SHOW
with Kir Royal gallery
June 14-19, 2016

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CLARAHUUS | Webergasse 34, 4058 Basel Switzerland.

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May 212016
 

Denniston Hill is excited to announce its 2016 residents, an inaugural Distinguished Performance Artist Award, and a new partnership with AFRICA’SOUT!

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Domenick Ammirati (New York), Boychild (Los Angeles), R. Erica Doyle (New York), Adrienne Edwards (New York), Cathy Park Hong (New York), Anissa Mack (New York), Tiffany Malakooti (New York), Carlos Martiel (Cuba), Dave McKenzie (New York), Okwui Okpokwasili, with collaborator Peter Born (New York), Yoshua Okón (Mexico), Araya Rasdjarmrearnsook (Thailand), Steven Reker (New York), Brenda Shaughnessy (New York), Pamela Sneed (New York), Wu Tsang (Los Angeles).

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(more info here)

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Apr 112016
 

Hosted by SVA MA Curatorial Practice
April 15, 6 PM – 10 PM

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Opening Reception: Friday, April 15, 6 pm – 10 pm with performances by Terry Boyd, Aya Rodriguez-Izumi, Carlos Martiel, and Puppies Puppies.
Performance Series: Saturday, April 23, 4:30 pm – 9 pm with Max C Lee, Laraaji, Antenes, and Data Garden
Exhibition on view: M–Th: by appointment only, Friday–Sunday: 10 am–6 pm

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Featuring:
Antenes, Andrea McGinty, Aya Rodriguez-Izumi, Brian Wondergem, Calori & Maillard, Carlos Martiel, Christopher Lin, Data Garden, Hannah Black, Institute for New Feeling, Ioanna Pantazopoulou, Jo Shane, Kiichiro Adachi, Laraaji, Max C Lee, Puppies Puppies, Shana Moulton, Terry Boyd, and The Lot Radio.

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Over the last century, technologies, economies, societies, and political systems have been transformed, constituting a revised yet always shifting cultural landscape. In order to keep up, we constantly search for new feeling by way of the next lifestyle app, the next detox, the next transformative spirit journey to calm the nerves. Low-Grade Euphoria highlights the work of artists who respond to these shifts in the cultural landscape and suggest sensory experiences to guide us through them. It is a simultaneously frantic and subdued search for the traces of joy that enable and perpetuate social life today. With the help of performances, video, sound, and installation works, the exhibition rushes forward, toward new feelings and temporary joys, happily, in a daze.

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Curated by: Sanna Almajedi, Valerie Amend, Patrick Jaojoco, Rebecca Nahom, Ikechukwu Onyewuenyi, Vera Petukhova, Jovanna Venegas, under the leadership of Mark Beasley.

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(more info here)

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Pfizer Building | 630 Flushing Avenue, 3rd Floor, Brooklyn, NY

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Mar 122016
 

(AS ONE)
Film Screenings | Durational Works From IMMATERIAL

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Tuesday, March 29, 2016
12:00 – 20:00.

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In 2014, Marina Abramović Institute (MAI) launched its digital journal called IMMATERIAL, which featured interviews with artists, scientists, and thinkers, and highlighted durational works from artists around the world. New selections of the documentation from these works are shown in this collection.

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(more info here)

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Benaki Museum | 138 Pireos Athina, 118 54 Greece.

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Dec 292015
 

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Carlos Martiel in performance at Pinta Miami, 2015 // Image courtesy of Q. Dukes

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ARTIST FEATURE & INTERVIEW WITH CARLOS MARTIEL

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by Performance is Alive

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This year performance art pervaded Miami Art Week 2015 (for better and for worse). Most notably at the non-traditional, multi-destination, Satellite Fair organized by Brian Wheatley and the curatorial project “Time Sensitive” curated by Jesús Fuenmayor at Pinta Miami. As you can imagine, the sheer density of events, shows and performances prohibited us (Alexandra Hammond + myself) from being able to view the full performance roster at either fair but we were determined to catch Carlos Martiel’s durational work at Pinta Miami. Martiel caught my attention last October for his durational performance, “Segregation” at Samson Projects (Boston) where he stood motionless between two layers of barbed wire. Upon entry, audience members were separated by country of origin and viewed the performance from opposing sides. Martiel notes on his website, “One of the entryways permitted the entrance of U.S. born whites and Europeans. The other, permitted the entrance of blacks, latinos, asians, and middle easterners, as well as any individual who was not European or U.S. born white. People were not allowed to mix for the duration.”

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(more info here)

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